00:00
Srpski
Sloboda, jednakost, bratstvo (Liberté, égalité, fraternité)
Pariz, audio-instalacija 2025.
Rad Sloboda, jednakost, bratstvo (Liberté, égalité, fraternité) nastao je u specifičnom kontekstu boravka u rezidenciji Cité internationale des arts u Parizu u julu i avgustu 2025. godine i obuhvata širok spektar zvučnih narativa: od glasova turista, imigranata i beskućnika, do manifestacija moći, vojnih parada, preleta aviona, vatrometa i proslave povodom Dana Bastilje.
U rad su integrisani zvuci svakodnevice: buka metroa i ulica, protesti afričke zajednice, radnici koji čiste grad, žamor u kafeima, zvona Notr Dama i dr. Rad istražuje kontraste Pariza, njegov sjaj i bedu, svojevrsnu „ljudsku komediju" 21. veka, odnos centra i periferije, moći i marginalizacije, simboličkih, (ne)propusnih i stvarnih granica.
Iako se umetničke rezidencije često doživljavaju kao izolovani prostori koncentrisanog rada, one su istovremeno i složeni društveni ambijenti u kojima se prepliću različiti oblici (ne)vidljivosti, (ne)pripadnosti i privilegije. Neposredno okruženje rezidencije, ispred koje su spavali mladi beskućnici iz Afrike, usmerilo je ovo istraživanje i ka pitanjima socijalne (ne)vidljivosti, liminalnih identiteta i institucionalnih okvira koji određuju svakodnevicu marginalizovanih grupa.
Fizička blizina umetnika i ljudi bez doma, uz odsustvo interakcije, dodatno je naglasila složenost pojma inkluzivnosti u savremenom kulturnom prostoru i u tom smislu rad takođe propituje odnos između umetničke prakse i konteksta u kojem ona nastaje.
English
Liberty, Equality, Fraternity (Liberté, égalité, fraternité)
Paris, audio installation 2025
The work Liberty, Equality, Fraternity (Liberté, égalité, fraternité) was created during a residency at the Cité internationale des arts in Paris in July and August 2025. It encompasses a wide spectrum of sound narratives, ranging from the voices of tourists, immigrants, and the homeless to manifestations of power, military parades, flyovers, fireworks, and celebrations during Bastille Day.
Integrated into the work are sounds of everyday life: the noise of the metro and streets, protests by African communities, municipal workers, café chatter, and the bells of Notre Dame, among others. The work explores the contrasts of Paris, its splendor and its deprivation, forming a kind of "human comedy" of the 21st century, and addressing relations between center and periphery, power and marginalization, as well as symbolic, (im)permeable, and physical boundaries.
While artist residencies are often perceived as isolated spaces of concentrated work, they are also complex social environments in which various forms of (in)visibility, (non)belonging, and privilege intersect. The immediate surroundings of the residency—where young homeless individuals from Africa slept outside—directed the project toward questions of social (in)visibility, liminal identities, and institutional frameworks that shape the everyday lives of marginalized groups.
The physical proximity of the artist and those without shelter, coupled with a lack of interaction, further underscores the complexity of inclusivity in contemporary cultural space, and the work thus also examines the relationship between artistic practice and its context.